The adventures of Lisbeth Salander, a brooding 23 year old hacker babe, with a murky and disturbing past, have set pop culture ablaze for close to a decade now. I mean, darn, snagging Daniel Craig for the U.S. film: kind of enuf said, no?
Brainy, Goth chic though only explains part of the appeal of this pop culture cottage industry - three books, with a fourth on the way, films in both Swedish and English, TV miniseries and graphic novels. The franchise, widely identified as The Girl with the Dragon Tattoo series (or, in some circles, the Millennium trilogy), has an additional cultural cache in the strange back story of Lisbeth's creator: Stieg Larsson.
The story of Larsson is full of irony. Never was one's story so ripe with the conditional clause: just before. It was indeed just before he became a bestselling novelist that Larsson was a notorious crusader against the menacing forces of Fascism and plutocracy in Swedish society. Or, at least, so it was that he perceived his foes. And, in like manner, just before he became a bestselling author, generating a considerable personal fortune, he died. (You see, you're never appreciated while you're alive.)
For me, this raises at least two pertinent questions. First, had Larsson lived to enjoy his success, would he have remained quite as paranoid about wealth as an indicator of corruption and dissipation? And, second, could the two facts from the prior paragraph be related in some way?
Speculation on this latter question has led to some genuine lunacy. As a relatively young man, Larsson embraced Communism and anyone who pays any attention to such matters will be well aware that this creed has always been conspiratorial to its core. As a consequence, there's no astonishment at learning that for Larsson the 80s and 90s were devoted to unearthing the sinister secrets of rightist extremists and crypto-Aryan cabals.
He eventually created a foundation and magazine, which he would also edit, called Expo, dedicated to ferreting out these blackguards and villains. Don't get me wrong, I don't doubt such people exist, I just think that their influence on the actual world is far less than either they or their avowed foes suppose.
And, for the record, I certainly do not accept that Larsson's death by "heart attack" (as some insist on putting it) on the "anniversary" (my scare quotes) of Kristallnacht means anything. This is just the conspiratorial mind out of control. Now, I grant you, if they'd waited to whack him in 2008; that would have been 70 years since the original night of broken glass. I mean, 70s years. Now, that would be meaningful, right? I mean, it must mean something? Right? Excuse my sarcasm; perhaps you get my point?
Despite the silliness of all this conspiracy theory in the real world, though, in terms of entertainment marketing, Larsson's fascination with blackguard plotters paid off handsomely in providing the thematic and plot backdrop of his much read and film adapted novels. And, strange as it may seem to some of us, Larsson's brand of paranoia resonates just as well in America as in his native Sweden.
The plots and degeneracy of these blackguard extremists provide the fodder for super-girl sleuth Lisbeth Salander - she of the photographic memory, chess-like strategic mind, mathematical skills to make Fermat weep, and all buttressed by hacker skills that leave any bank or police department computer system naked before her will. Chummed up with her journalist sidekick, Mikael Blomkvist, evil has no chance. Indeed, in one of the sequels, it appears that maybe returning from the dead has been added to Lisbeth's impressive catalogue of super hero skills.
Yes, certainly, this is all somewhat far-fetched. Yet, regardless of the stretches of suspended disbelief (or plausible deniability) Larsson may require for his super girl, the protagonists and their virtuous mission certainly do provide an entertaining read (or viewing experience). And, no doubt about it, when it comes to success, there's none like market success.
The final irony, in it all, I suppose, is that even a paranoid commie like Larsson could brush lips with the zeitgeist and hit the jackpot. Though, I'm inclined to think that one probably ought not to reflect too deeply upon just what it is that that says about the rest of us.
Brainy, Goth chic though only explains part of the appeal of this pop culture cottage industry - three books, with a fourth on the way, films in both Swedish and English, TV miniseries and graphic novels. The franchise, widely identified as The Girl with the Dragon Tattoo series (or, in some circles, the Millennium trilogy), has an additional cultural cache in the strange back story of Lisbeth's creator: Stieg Larsson.
The story of Larsson is full of irony. Never was one's story so ripe with the conditional clause: just before. It was indeed just before he became a bestselling novelist that Larsson was a notorious crusader against the menacing forces of Fascism and plutocracy in Swedish society. Or, at least, so it was that he perceived his foes. And, in like manner, just before he became a bestselling author, generating a considerable personal fortune, he died. (You see, you're never appreciated while you're alive.)
For me, this raises at least two pertinent questions. First, had Larsson lived to enjoy his success, would he have remained quite as paranoid about wealth as an indicator of corruption and dissipation? And, second, could the two facts from the prior paragraph be related in some way?
Speculation on this latter question has led to some genuine lunacy. As a relatively young man, Larsson embraced Communism and anyone who pays any attention to such matters will be well aware that this creed has always been conspiratorial to its core. As a consequence, there's no astonishment at learning that for Larsson the 80s and 90s were devoted to unearthing the sinister secrets of rightist extremists and crypto-Aryan cabals.
He eventually created a foundation and magazine, which he would also edit, called Expo, dedicated to ferreting out these blackguards and villains. Don't get me wrong, I don't doubt such people exist, I just think that their influence on the actual world is far less than either they or their avowed foes suppose.
And, for the record, I certainly do not accept that Larsson's death by "heart attack" (as some insist on putting it) on the "anniversary" (my scare quotes) of Kristallnacht means anything. This is just the conspiratorial mind out of control. Now, I grant you, if they'd waited to whack him in 2008; that would have been 70 years since the original night of broken glass. I mean, 70s years. Now, that would be meaningful, right? I mean, it must mean something? Right? Excuse my sarcasm; perhaps you get my point?
Despite the silliness of all this conspiracy theory in the real world, though, in terms of entertainment marketing, Larsson's fascination with blackguard plotters paid off handsomely in providing the thematic and plot backdrop of his much read and film adapted novels. And, strange as it may seem to some of us, Larsson's brand of paranoia resonates just as well in America as in his native Sweden.
The plots and degeneracy of these blackguard extremists provide the fodder for super-girl sleuth Lisbeth Salander - she of the photographic memory, chess-like strategic mind, mathematical skills to make Fermat weep, and all buttressed by hacker skills that leave any bank or police department computer system naked before her will. Chummed up with her journalist sidekick, Mikael Blomkvist, evil has no chance. Indeed, in one of the sequels, it appears that maybe returning from the dead has been added to Lisbeth's impressive catalogue of super hero skills.
Yes, certainly, this is all somewhat far-fetched. Yet, regardless of the stretches of suspended disbelief (or plausible deniability) Larsson may require for his super girl, the protagonists and their virtuous mission certainly do provide an entertaining read (or viewing experience). And, no doubt about it, when it comes to success, there's none like market success.
The final irony, in it all, I suppose, is that even a paranoid commie like Larsson could brush lips with the zeitgeist and hit the jackpot. Though, I'm inclined to think that one probably ought not to reflect too deeply upon just what it is that that says about the rest of us.
About the Author:
To follow developments in the Stieg Larsson posthumous empire, you need to follow Mickey Jhonny's writing on the Girl with the Dragon Tattoo site. Mickey's latest writing includes a provocative review of the Michael Apted's amazing 7 Up documentary series for Best Documentaries on Netflix -- you don't want to miss it!
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