The emergence of multidisciplinary arts also developed a type of non-verbal parts of, dance or mixed (eg with Jan Lauwers). First appeared with the Dada and Futurist movements, such drama is out of avant-garde theater to become quite popular. Evidenced for example by the success of James mounted with Symphony of beetle even Moliere received four parts (Phoenix plays).
Interpreters of play are the actors; in modern theater the role of director is also important. Indeed, according to interpretation of text he wants to communicate to public, it takes (or sometimes does not resume ...) indications of staging written by the author, and added to his lead the actors.
However, Alfred de Musset, whose plays have been performed on stage as his late romantic drama baffled theater directors, developed the idea of theater to read under the "show in a wheelchair." Playwright Ionesco has established new rules for the theater in his book Notes and against pad. These are based mainly on the deterioration of language in favor of theater of absurd. Another playwright of twentieth century following the rules of Ionesco is Beckett. The two main types of plays are comedy and tragedy.
The origins of later back to antiquity. Greek tragedies played in religious rites in honor of god Dionysus. These ancient themes are included in sixteenth century by the first playwrights as Garnier or Jodelle, and in seventeenth century by authors such as Corneille, who began by writing baroque comedy and tragicomedy, as Le Cid. But gradually imposed in name of verisimilitude, respect for rules specific to classical theater: the rule of decency and the rule of three units.
In general, the derived words have retained the original meaning, tied to a theatrical writing: drama, drama. For the adjective dramatic there are different practice to use more tied to roots for those who work in this discipline on the concept of drama in its sense of tragedy in usual sense. For example, the theater is designated as a skilled dramatic actor in general one who has mastered the art of drama, and it is usual to define a dramatic actor of film or television only in relation to content or tragic conflict of his acting.
In eighteenth century, one sees a variety of comedies. Still exist comedy of intrigue and comedy of manners, such as The Game of Love and Chance Island or slaves Marivaux, but social criticism becomes more vigorous, as in Barber of Seville and The Marriage Figaro by Beaumarchais, works in which he openly criticized the aristocracy. Also appear tearful comedy, then the bourgeois drama, playing on emotion and sensitivity of spectators.
The early nineteenth century saw the birth of romantic drama, a mixture of comedy and tragedy. This illustrates the literary genre of current era, romanticism, which is opposed to classicism. The rule of three units disappear, except for the unity of action, and the authors write in poetic prose or verse. Mention may be made with Alfred de Musset Lorenzaccio, with Victor Hugo Hernani, works in which the hero is marked by fate. The most popular genres are emerging: vaudeville, melodrama, theater boulevard.
The main genres - tragedy and comedy - were also diversified by author and historical context, but maintained a common basis: the tragedy always represented a mythical argument (with a few exceptions of historical argument) and made use of style often solemn, as well as many stage machinery, while the play a great story or taken from everyday life. Do not forget the minor genres, such as farce or Roman mimes.
Interpreters of play are the actors; in modern theater the role of director is also important. Indeed, according to interpretation of text he wants to communicate to public, it takes (or sometimes does not resume ...) indications of staging written by the author, and added to his lead the actors.
However, Alfred de Musset, whose plays have been performed on stage as his late romantic drama baffled theater directors, developed the idea of theater to read under the "show in a wheelchair." Playwright Ionesco has established new rules for the theater in his book Notes and against pad. These are based mainly on the deterioration of language in favor of theater of absurd. Another playwright of twentieth century following the rules of Ionesco is Beckett. The two main types of plays are comedy and tragedy.
The origins of later back to antiquity. Greek tragedies played in religious rites in honor of god Dionysus. These ancient themes are included in sixteenth century by the first playwrights as Garnier or Jodelle, and in seventeenth century by authors such as Corneille, who began by writing baroque comedy and tragicomedy, as Le Cid. But gradually imposed in name of verisimilitude, respect for rules specific to classical theater: the rule of decency and the rule of three units.
In general, the derived words have retained the original meaning, tied to a theatrical writing: drama, drama. For the adjective dramatic there are different practice to use more tied to roots for those who work in this discipline on the concept of drama in its sense of tragedy in usual sense. For example, the theater is designated as a skilled dramatic actor in general one who has mastered the art of drama, and it is usual to define a dramatic actor of film or television only in relation to content or tragic conflict of his acting.
In eighteenth century, one sees a variety of comedies. Still exist comedy of intrigue and comedy of manners, such as The Game of Love and Chance Island or slaves Marivaux, but social criticism becomes more vigorous, as in Barber of Seville and The Marriage Figaro by Beaumarchais, works in which he openly criticized the aristocracy. Also appear tearful comedy, then the bourgeois drama, playing on emotion and sensitivity of spectators.
The early nineteenth century saw the birth of romantic drama, a mixture of comedy and tragedy. This illustrates the literary genre of current era, romanticism, which is opposed to classicism. The rule of three units disappear, except for the unity of action, and the authors write in poetic prose or verse. Mention may be made with Alfred de Musset Lorenzaccio, with Victor Hugo Hernani, works in which the hero is marked by fate. The most popular genres are emerging: vaudeville, melodrama, theater boulevard.
The main genres - tragedy and comedy - were also diversified by author and historical context, but maintained a common basis: the tragedy always represented a mythical argument (with a few exceptions of historical argument) and made use of style often solemn, as well as many stage machinery, while the play a great story or taken from everyday life. Do not forget the minor genres, such as farce or Roman mimes.
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