Novels are defined as narratives of some length. The length is a factor because they are not short stories which deal with a small slice of life, but with characters who develop in the course of a plot that may be quite complicated. A famous author argued once that all works of any merit are psychological novels because they are told from the points of view of credible characters.
However, from the perspective of critics, and in the light of the millions of works published, it is necessary to identify different genres. When a novel exhibits a number of well recognized features it can be classified as a particular type that follows one identifiable type. Classifying books in genres helps individual readers recognize genres and organize the complex field of literature.
When authors focus on the interior workings of the minds of fictional characters they can be safely said to be trying to write psychological novels. The writer's intention is an important element in the book that he creates. If he succeeds in depicting behavior that is both credible and instructive then he may have succeeded.
Novelists do not produce works of science because they work imaginatively. Their purpose is to reflect reality rather than prove it. Psychologists choose to use scientific methods to discover human behavior. They set up experiments with animals and extrapolate from these what human behavior is like. Novelists use their imagination.
Imagination is essential in all works of fiction. Jane Austen imagines young men and women meeting, having difficulties and overcoming them. Her characters are very true to life and one can recognize their types hundreds of years after the story was first told. But Austen's intention is primarily to tell a tale of romance.
The writers of action or adventure tales also have clear intentions. Their purposes are to entertain by writing stories that move rapidly between phases of action, rising and falling with increasing intensity until a climax is reached, preferably on the last page. Development of characters who truly reflect human behavior can impede the the adventure writer's purpose and so he may choose to employ a wooden, or flat character who always behaves in a predictable way.
The stream of consciousness technique of writing is eminently suitable for depicting the workings of an individual's mind. The story takes the form of an interior monologue that depicts exactly what is going on in the mind of a central character. The author tries to inject himself into the person that he is both depicting and developing a narrative through.
Both action and insight are sometimes combined in suspense thrillers. Characters who may be dangerously deranged or obsessive may engage in behavior that is credible but dangerous, leading inevitably to a dramatic conclusion. Such narratives may reflect on issues at the heart of psychology, such as the difference between sanity and insanity.
Psychological novels, like all similar works, attempt to entertain and instruct through the medium of fiction. They succeed on the first count if readers are able to suspend their disbelief and imagine that they are in the world of a novels as they read it. They succeed on the count of instruction if critics and ordinary readers know, after reading the work, that it is a slice of true life.
However, from the perspective of critics, and in the light of the millions of works published, it is necessary to identify different genres. When a novel exhibits a number of well recognized features it can be classified as a particular type that follows one identifiable type. Classifying books in genres helps individual readers recognize genres and organize the complex field of literature.
When authors focus on the interior workings of the minds of fictional characters they can be safely said to be trying to write psychological novels. The writer's intention is an important element in the book that he creates. If he succeeds in depicting behavior that is both credible and instructive then he may have succeeded.
Novelists do not produce works of science because they work imaginatively. Their purpose is to reflect reality rather than prove it. Psychologists choose to use scientific methods to discover human behavior. They set up experiments with animals and extrapolate from these what human behavior is like. Novelists use their imagination.
Imagination is essential in all works of fiction. Jane Austen imagines young men and women meeting, having difficulties and overcoming them. Her characters are very true to life and one can recognize their types hundreds of years after the story was first told. But Austen's intention is primarily to tell a tale of romance.
The writers of action or adventure tales also have clear intentions. Their purposes are to entertain by writing stories that move rapidly between phases of action, rising and falling with increasing intensity until a climax is reached, preferably on the last page. Development of characters who truly reflect human behavior can impede the the adventure writer's purpose and so he may choose to employ a wooden, or flat character who always behaves in a predictable way.
The stream of consciousness technique of writing is eminently suitable for depicting the workings of an individual's mind. The story takes the form of an interior monologue that depicts exactly what is going on in the mind of a central character. The author tries to inject himself into the person that he is both depicting and developing a narrative through.
Both action and insight are sometimes combined in suspense thrillers. Characters who may be dangerously deranged or obsessive may engage in behavior that is credible but dangerous, leading inevitably to a dramatic conclusion. Such narratives may reflect on issues at the heart of psychology, such as the difference between sanity and insanity.
Psychological novels, like all similar works, attempt to entertain and instruct through the medium of fiction. They succeed on the first count if readers are able to suspend their disbelief and imagine that they are in the world of a novels as they read it. They succeed on the count of instruction if critics and ordinary readers know, after reading the work, that it is a slice of true life.
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