If you collect artwork of any kind, there are specific ways of caring for it to ensure its integrity and condition. There are certain techniques curators and collectors use to make sure rare and valuable works do not deteriorate and do not suffer damage that could compromise the artist's original intentions and reduce the value of the piece. Good conservation techniques can minimize the need for the extensive art restoration New Jersey experts offer.
One of the most common mistakes restorers see, and one that is easy to avoid, is improper matting. Mat material should have a neutral or alkaline Ph content. The artwork should never to glued, taped, or otherwise mounted to the board. Mat burn occurs when mats, made of improper materials, are affixed to paper works, such as watercolors. Pieces that are not adequately protected from sunlight will fade. Too much light can also cause structural damage to the mat.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
Oil and acrylic on canvas are generally sturdier than artwork on paper, but a lot of the same rules apply. Direct sunlight will cause paint to fade. Since these works are not preserved behind glass, dust and dirt can become ingrained in the canvas. It is usually a good idea to leave paintings in their original frames. You may not like the style, but if it is what the artist chose, there was a reason for it.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
Textile piece collectors know that the threads in the fabric can be very fragile if they are not handled carefully and kept out of sunlight. Even if they are protected behind UV glass, strong light can do a lot of damage. It is never a good idea to store textiles in cedar chests or other wooden boxes. Coming into contact with any type of wood will cause staining.
It is very easy to knock over free standing art objects. If they are fixed to a sturdy base, they may have some protection, but it is an even better idea to keep them in an area of low traffic. Large rooms are the best place for statues, vases, ceramics, and other free standing art.
Art collectors usually know how to preserve their pieces. Sometimes they find great work they are willing to have restored however. Once that process is complete, conserving them for future generations can begin.
One of the most common mistakes restorers see, and one that is easy to avoid, is improper matting. Mat material should have a neutral or alkaline Ph content. The artwork should never to glued, taped, or otherwise mounted to the board. Mat burn occurs when mats, made of improper materials, are affixed to paper works, such as watercolors. Pieces that are not adequately protected from sunlight will fade. Too much light can also cause structural damage to the mat.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
Oil and acrylic on canvas are generally sturdier than artwork on paper, but a lot of the same rules apply. Direct sunlight will cause paint to fade. Since these works are not preserved behind glass, dust and dirt can become ingrained in the canvas. It is usually a good idea to leave paintings in their original frames. You may not like the style, but if it is what the artist chose, there was a reason for it.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
Textile piece collectors know that the threads in the fabric can be very fragile if they are not handled carefully and kept out of sunlight. Even if they are protected behind UV glass, strong light can do a lot of damage. It is never a good idea to store textiles in cedar chests or other wooden boxes. Coming into contact with any type of wood will cause staining.
It is very easy to knock over free standing art objects. If they are fixed to a sturdy base, they may have some protection, but it is an even better idea to keep them in an area of low traffic. Large rooms are the best place for statues, vases, ceramics, and other free standing art.
Art collectors usually know how to preserve their pieces. Sometimes they find great work they are willing to have restored however. Once that process is complete, conserving them for future generations can begin.
About the Author:
Find a list of the advantages you get when you use art restoration New Jersey services and more info about a reliable service provider at http://www.bythecpress.com today.
Aucun commentaire:
Enregistrer un commentaire